Choosing the Appropriate Authentic Designer Handbag For You

It can be a little intimidating to try and choose the perfect bag from amongst the multitude of choices of luxury designer handbags available on the market today.

It is no wonder that so many questions arises concerning real designer handbags, purses and even luggage in regards to their appropriate usage. Believe it or not, one of the most discussed questions is on what type of designer handbag to buy for a job interview.

A key point to understand here is that function comes first, then style, when it comes to attending a job interview or even business power lunch. A handbag that is functional should easily be able to contain important documents such as your resume or portfolio, reference letters and even your business cards without damaging them. All the while your designer bag should also demonstrate your unique sense of style. Depending on personal preference, many women do without a luxury designer handbag all together and carry a briefcase in its stead.

Points to remember when choosing an authentic designer handbag for an important job interview are:

1. Pick a functional bag that has multiple interior pockets that can store your most important items such as pens, mobile phone, business cards and keys. This way you do not have to pour out all the contents of your bag or desperately rummage around your bag with your hand to find a particular item. The worse thing to do is look disorganized simply because you are not aware of where everything is in your handbag.

2. Your luxury designer handbag should be an adequate size which will allow you to carry your resume without having to fold it when placed inside your bag.

3. A hand bag with some sort of zipper, magnetic appendage or Velcro greatly reduces the chance that the contents of your bag will accidentally fall out during the course of your interview.

4. Make sure to match the color of your designer bag to your attire so that you look presentable to the interviewer during your job application.

5. You do not want to appear too casual looking when attending an interview so try to avoid cotton or nylon handbags. The best choice would be a black or brown leather handbag.

6. It does not matter how trendy your authentic designer handbag is, it will not pass a visible test if there are unsightly blotches or stains on the exterior of the bags. Keep it clean!

Something to contemplate when searching for a stylish designer evening handbag:

If you are wondering about this matter, the most excellent place to see the most current and most popular evening handbags are from celebrities during large award ceremonies or opening events for movies and business establishments. You will easily find the most popular styles of evening handbags which range from trendy clutches to stylish drawstring sacks.

The particular style of luxury handbag you pick should allow sufficient space for your money, ID, lipstick, & keys. A slightly larger bag may be required if you need to carry your phone or digital camera. Moreover, your evening handbag should complement your evening attire. A simple rule of thumb is that if your dress is a black color you could choose a smaller sized purse that is completely black or has black trimmings. Another choice would be to pick a more vibrant color such as red, silver or gold to further accent your entire outfit. The tip here is to think of your evening bag as an added accessory such as a piece of jewellery as opposed to a necessity. Real designer evening handbags are available in many designs which included crochet, embroidered, silk, lace, beaded, satin, sequins, velvet and jewel-encrusted designs which made to match any type of outfit you may have on. With some diligent searching you will most certainly find the perfect match for your evening.

Things to consider when looking for a good designer handbag for traveling purposes:

The number one factor to consider is safety when looking for a travel bag. This is not only referring to the safety of the people you are travelling with or yourself, but also the safe keeping of your passport, travel documents, personal belongings and currency. A travel designer handbag should contain your most valued travel items such as credit cards, passport, hotel key, traveler checks and other forms of travel ID. A travel handbag should be designed with strong, secure straps, inner storage and magnetic or zippered closures. A good number of vacation travelers will even carry a money pouch hidden beneath their clothes to further deter would-be thieves.

Tips for spotting real designer handbags before buying them:

In large metropolitan fashion capitals such as Paris, London, LA, New York, Madrid or Toronto it may seem like it would be simple to find an authentic handbag but looks can be deceiving. Unfortunately, the uncontrolled sale of fake handbags is an easy profit for street sellers and flea market merchants who really do not care who they victimize to make some quick cash. If you have bought a designer brand name handbag in any of these cities from a street vendor, chances are that it is not an original. The actual location of the sale should the first red flag you should be aware of when trying to spot an authentic designer handbag. Some quick tips on spotting fake merchandise:

1. Take a really close look at the design. You should get some sense that it is not real just by looking at it. If you think about it, the high end designer make high quality handbags so you can usually spot bad quality imitations just by looking at them. Check the inner stitching and smell or feel the material. A real designer handbag will appear almost near perfect. The colors of the bag will be consistent, the inner lining and the stitching will be free of any visible flaws. Furthermore, an engraved or imprinted designer brand logo should be visible somewhere on or inside the handbag itself.

2. Request proof of authentication such as receipts or serial numbers. The most expensive designer handbags are always accompanied authenticity cards. The authenticity card will showcase the company brand logo and usually include some sort of serial number or a magnetic strip registered to the actual designer itself. Make sure that you ask to see these important pieces of information before you decide to buy it.

3. If the price is too good to be true, it usually is. If a brand name handbag were that cheap every person on the street would own one.

Choosing the appropriate authentic designer handbag is not rocket science but there are crucial matters that one needs to consider before purchasing one. Now that you have some adequate knowledge of finding the right luxury designer handbags for your ever increasing wardrobe go out and buy one. Just keep in mind that there are proper real designer handbags for all types of life real life situations.

It can be a little intimidating to try and choose the perfect bag from amongst the multitude of choices of luxury designer handbags available on the market today.

It is no wonder that so many questions arises concerning real designer handbags, purses and even luggage in regards to their appropriate usage.

Believe it or not, one of the most discussed questions is on what type of designer handbag to buy for a job interview.

A key point to understand here is that function comes first, then style, when it comes to attending a job interview or even business power lunch. A handbag that is functional should easily be able to contain important documents such as your resume or portfolio, reference letters and even your business cards without damaging them. All the while your designer bag should also demonstrate your unique sense of style. Depending on personal preference, many women do without a luxury designer handbag all together and carry a briefcase in its stead.

Points to remember when choosing an authentic designer handbag for an important job interview are:

1. Pick a functional bag that has multiple interior pockets that can store your most important items such as pens, mobile phone, business cards and keys. This way you do not have to pour out all the contents of your bag or desperately rummage around your bag with your hand to find a particular item. The worse thing to do is look disorganized simply because you are not aware of where everything is in your handbag.

2. Your luxury designer handbag should be an adequate size which will allow you to carry your resume without having to fold it when placed inside your bag.

3. A hand bag with some sort of zipper, magnetic appendage or Velcro greatly reduces the chance that the contents of your bag will accidentally fall out during the course of your interview.

4. Make sure to match the color of your designer bag to your attire so that you look presentable to the interviewer during your job application.

5. You do not want to appear too casual looking when attending an interview so try to avoid cotton or nylon handbags. The best choice would be a black or brown leather handbag.

6. It does not matter how trendy your authentic designer handbag is, it will not pass a visible test if there are unsightly blotches or stains on the exterior of the bags. Keep it clean!

Something to contemplate when searching for a stylish designer evening handbag:

If you are wondering about this matter, the most excellent place to see the most current and most popular evening handbags are from celebrities during large award ceremonies or opening events for movies and business establishments. You will easily find the most popular styles of evening handbags which range from trendy clutches to stylish drawstring sacks.

The particular style of luxury handbag you pick should allow sufficient space for your money, ID, lipstick, & keys. A slightly larger bag may be required if you need to carry your phone or digital camera. Moreover, your evening handbag should complement your evening attire. A simple rule of thumb is that if your dress is a black color you could choose a smaller sized purse that is completely black or has black trimmings. Another choice would be to pick a more vibrant color such as red, silver or gold to further accent your entire outfit. The tip here is to think of your evening bag as an added accessory such as a piece of jewellery as opposed to a necessity. Real designer evening handbags are available in many designs which included crochet, embroidered, silk, lace, beaded, satin, sequins, velvet and jewel-encrusted designs which made to match any type of outfit you may have on. With some diligent searching you will most certainly find the perfect match for your evening.

Things to consider when looking for a good designer handbag for traveling purposes:

The number one factor to consider is safety when looking for a travel bag. This is not only referring to the safety of the people you are travelling with or yourself, but also the safe keeping of your passport, travel documents, personal belongings and currency. A travel designer handbag should contain your most valued travel items such as credit cards, passport, hotel key, traveler checks and other forms of travel ID. A travel handbag should be designed with strong, secure straps, inner storage and magnetic or zippered closures. A good number of vacation travelers will even carry a money pouch hidden beneath their clothes to further deter would-be thieves.

Tips for spotting real designer handbags before buying them:

In large metropolitan fashion capitals such as Paris, London, LA, New York, Madrid or Toronto it may seem like it would be simple to find an authentic handbag but looks can be deceiving. Unfortunately, the uncontrolled sale of fake handbags is an easy profit for street sellers and flea market merchants who really do not care who they victimize to make some quick cash. If you have bought a designer brand name handbag in any of these cities from a street vendor, chances are that it is not an original. The actual location of the sale should the first red flag you should be aware of when trying to spot an authentic designer handbag. Some quick tips on spotting fake merchandise:

1. Take a really close look at the design. You should get some sense that it is not real just by looking at it. If you think about it, the high end designer make high quality handbags so you can usually spot bad quality imitations just by looking at them. Check the inner stitching and smell or feel the material. A real designer handbag will appear almost near perfect. The colors of the bag will be consistent, the inner lining and the stitching will be free of any visible flaws. Furthermore, an engraved or imprinted designer brand logo should be visible somewhere on or inside the handbag itself.

2. Request proof of authentication such as receipts or serial numbers. The most expensive designer handbags are always accompanied authenticity cards. The authenticity card will showcase the company brand logo and usually include some sort of serial number or a magnetic strip registered to the actual designer itself. Make sure that you ask to see these important pieces of information before you decide to buy it.

3. If the price is too good to be true, it usually is. If a brand name handbag were that cheap every person on the street would own one.

Choosing the appropriate authentic designer handbag is not rocket science but there are crucial matters that one needs to consider before purchasing one. Now that you have some adequate knowledge of finding the right luxury designer handbags for your ever increasing wardrobe go out and buy one. Just keep in mind that there are proper real designer handbags for all types of life real life situations.

An Introduction to the Suit Jacket

Without a doubt, the most elegant item of clothing in a man’s wardrobe is the suit jacket. It comes as part of a set with matching trousers and sometimes with a vest in the same or contrasting fabric.

There are two main types of suit jackets – the single-breasted jacket, usually with notch lapels and the double-breasted jacket, strictly with peak lapels. Occasionally, you may find a suit with a mandarin collar but it’s not mainstream. Shawl lapels are commonly use in a tuxedo jacket.

Single-breasted jackets have a single row of buttons down the front, usually two or three; there may be an occasional four, commonly for very tall men. The jacket’s front sides only overlap enough to permit buttoning.

A double-breasted jacket has two rows of buttons, and the front overlaps enough to allow both front sides to be attached to the opposite row of buttons. These jackets were all the rage in the 80s and seem to be going through a revival of sorts with some recent high-profile adopters in David Beckham, Jake Gyllenhaal and even Prince Charles. The current double-breasted jackets though are only remnants of their former selves – gone are the big shoulder pads, they are cut shorter and the bulk factor is removed altogether allowing shorter men the opportunity to don one without looking all swamped up.

Jacket Fit. The fit is the most important part of the jacket and I can’t stress that enough. People have different comfort levels with how tapered they wear their jackets. This is usually done at the waist to allow the jacket to closely follow the contours of the body. It all depends on how comfortable you feel in the look. You may have noticed men who power-dress, bankers and management consultants for instance all wear tapered jackets as it is what basically creates the image. To look good in a suit, you need not have your jackets fitted to that level unless you like it that way. Although be careful that it’s not too loose either as that creates the opposite effect of a shabby image. Make sure it’s shaped well on you and the fabric does not pinch at some corners and hang loose at others.

Here are a few things other you will want to look at to ensure the rest of your jacket fits well. The waist button should rest just below the natural waist of the wearer. The length of the jacket should be in line with the middle knuckle of the thumb and the back should rest just a little below the bottom. The cuffs should rest just a little above where the wrists. This leaves room for the shirt cuffs to be seen, usually around half an inch.

Jacket Shoulders. Jackets are usually built around the shoulders, and this structure is essential to the fit of the garment. The most important function of the jacket shoulders is to create symmetry. People come in different shapes and sizes and that is true of their shoulders too. Some men have extremely broad shoulders, others drooping and some will even have shoulders of different heights. There is absolutely nothing wrong with that and a well-stitched bespoke jacket will easily help to create symmetry. The padding of the shoulders is the place to start. Make sure the shoulder lines are well-defined but not exaggerated. For most people excessively large shoulder pads, for instance those that extend beyond the natural shoulder line creates a disproportionate look. On the other hand, if you naturally have small shoulders, having the shoulder pads very slightly extend beyond your shoulder line, will correct the look for you. It’s all down to your body type.

The thickness of the padding is the next thing to look at. If you naturally have shoulders of different heights, you can use the padding of varying thickness to easily correct that for you. As a general rule with shoulder padding, gone are the days when bulky shoulder pads were in trend. Today’s jackets largely have a thin padding with a slightly downward natural slant. Over-padding causes the neck and head to be engulfed by the jacket, and too thin padding does not allow the jacket to have the formal look that a suit jacket is supposed to create. What a bespoke jacket does is to create evenness and symmetry no matter what your natural shoulders are like.

Jacket Lapels. Lapels are the folded flaps of cloth on the front side of the jacket; a continuation of the jacket collar that stretches down to where the buttons begin. Lapels come in different styles and options. The most common variance of the lapels is the width. For a classic look, a moderate-width lapel is best and it works well on most occasions.

There are three basic types of lapels. The most common is the notched lapel and is the type used on single-breasted jackets. A suit jacket with notched lapels is often considered the most formal way of dressing and the type adopted by businessmen across the board. The second type, the peak lapel is more dressy than notched and commonly used on a double-breasted suit. Peak lapels create a broader and stronger silhouette with it’s fuller looking edges and arched angles – more of an occasion look and might be a bit much for the working day unless of course it comes on a double-breasted jacket. Shawl lapel is the third type and is usually found on tuxedo and dinner jackets. Here, the lapel and collar are not separate – the under collar is cut in one garment front with the centre back seam joining the two halves.

Jacket Sleeves Buttons. One of the things that distinguishes a bespoke jacket from an off-the-rack one is functioning sleeve buttons. In fact it has become fashionable to leave the last one unbuttoned as a statement to say that the jacket is custom-made. Most suits these days have four sleeve buttons but three is not uncommon. Regardless of the number, there should be at least as many of them as there are buttons on the waist, and they should be placed within a half-inch or so above the hem. Also sleeve buttons should always match the waist buttons.

Jacket Pockets. There are three typical styles of pockets on a jacket. The first is the jetted pockets. This type of pocket is sewn into the lining of the jacket and only a narrow horizontal slit appears on the side. As they appear nearly invisible, it contributes to a very sleek and polished look and frequently found on formal wear.

The second type of pocket is called the flap pocket. Flap pockets are like jetted pockets with an additional flap sewn into the top of the pocket, thus the name. It covers the pocket’s opening. Flap pockets are the most common type on suit jackets and nowadays is tailored such that the flaps can be tucked inside the pocket thus creating the jetted pocket appearance. This gives wearers’ the option of wearing the suit one day with the jetted pocket look and another with the flap pocket look.

There are also patch pockets, the least formal, and like the name suggests, a cloth is patched on the outside of the jacket to make it into a pocket.

Some bespoke jackets also come with a ticket pocket, another customisation that distinguishes a bespoke jacket from a ready-made one. It’s a smaller pocket placed above the standard pocket on the right side or occasionally on the left if that’s the wearer’s dominant hand.

Pockets are, usually, horizontally cut, but on some less formal jackets like the sports jacket you will find that they are made with a slight slant.

Moving up and common to all jackets is the breast pocket – basically a jetted pocket found on the upper-left chest. It’s purpose is not that of a pocket as such and is used more commonly for putting a display handkerchief or pocket square.

Inside pockets differ from jacket to jacket. Off-the-rack ones don’t often come with one. On a bespoke suit, it depends on the customisation requests but as a standard there is normally one on the left side and it is sewn into the lining. Some additional inside pockets for holding pens and/or credit cards are also not uncommon, another signature that the jacket is bespoke.

Jacket Vents. Vents are flap-like slit(s) in the back bottom of the jacket designed to accommodate freer movement while a person is seated for instance and for easier access to trouser pockets for the wallet. On the bespoke jacket there are three options – ventless, center vent and side vents.

Ventless jackets as the name suggests have no vent and is commonly found on Italian-style suits offering a sleek look for the back side of the jacket. Center vent is one single slit in the center of the jacket. A jacket with side vents has two vents, one on either side, usually where the trouser pockets are placed.

If there’s one point to take away after reading through the article, make sure it’s “fit”. A well-fitting suit covers a multitude of sins you may make in fabric, color and style.

Machine Embroidery on Jackets

Of all the different wearable items that can be embroidered, jackets would appear to be the easiest. When most of think of jackets in terms of embroidery, large areas for full back and left chest designs come to mind. What many of us often forget are the little curveballs apparel manufacturers are adding into their designs such as box pleats and seams down the back. Fashion forward styles may have things like raglan sleeves which can throw off design placement since they lack the guideline of a shoulder seam.

One sure way to begin with a jacket that is fit for embroidery is to focus on working with styles that give the fewest headaches. Therefore, do some research on the newest trends. In addition, start with a machine that is in top notch condition, with fresh needles and bobbins. Below are the other basic elements to consider in your quest for trouble-free jacket embroidery.

Choosing a hoop

The best choice in hoops for jackets is the double-high hoop. This hoop is taller than the average hoop so offers more holding power. You can wrap your hoop with white floral tape, medical gauze, twill tape or bias tape to prevent hoop marks and help give a snug fit. Tissue paper, backing or waxed paper can also be used. Hoop these materials on top of the jacket, then cut a window for the embroidery. A thin layer of foam under the tape can also help. But avoid masking tape as it tends to be sticky and leaves a residue on jacket and hoop. When choosing your hoops, remember that oval hoops hold better all the way around than do square hoops with oval corners. The “square oval” holds better in the corners than on the sides, top and bottom.

Needles

The size and type of needle will depend on the fabric of the jacket. Leather jackets call for an 80/12 sharp. (Wedge shaped “leather” needles tend to do more harm than good.) Use this same sharp needle on poplin and other cotton-type jackets. Use a 70/10 or 80/12 light ballpoint on nylon windbreakers and a 75/11 fine ballpoint on satins and oxford nylons to avoid runs in the fabric. Heavy wool jackets, canvas and denim jackets require a stronger sharp needle. Corduroy stitches well with either ballpoint or sharp. Remember that ballpoint needles nudge the fabric out of the way in order to place the stitch, while sharps cut through the fabric. A good rule of thumb is to use the same size needle to embroider as you would to sew the seams of the jacket in assembly.

As for thread, polyester is a good choice for embroidery on jackets that will be exposed to the weather and coastal climates. Be sure to include washing and dry cleaning instructions with your finished product. Consider choosing a large-eye needle when working with metallic and other heavy specialty threads

Placing the design

Hold a straight-edge across the jacket back from side seam to side seam at the bottom of the sleeves. Mark a horizontal straight line, then double check this with a measurement from the bottom of the jacket to the same line. Jackets are not always sewn together straight. Measure the straight line and divide in half to find the center of the jacket. Place a vertical line through the horizontal line at this point. The intersection of the two lines will be the center. If you are rotating the design to sew upside-down or sideways, take this into consideration when measuring and later when hooping. Use tailor’s chalk, disappearing ink pens or soap to mark your garments. Avoid using pins. Masking tape is available in thin strips at graphic and art stores. It is easy to remove and leaves no marks. Wider masking tape, though, can leave residue.

Centering the design eight inches down from the back of the collar is a good place to start, and should work with most jackets. Small sizes may do better at six inches; very large ones may end up at 10 inches. The top of the design should fall about 2 ½ inches down from the collar of the jacket. But remember that this will change if the jacket has a hood. Then it will be necessary to place the design below the hood.

The best way to determine the center point of the design is to have someone try the jacket on, or invest in a mannequin. Pin an outline of the design or a sew-out to the back, making sure to include lettering and graphics to determine size and placement. Left or right chest designs should be centered three to four inches from the edge of the jacket and six to eight down from where the collar and the jacket body intersect. When embroidering on jackets with snaps or buttons, use the second snap or button as a guide.

Be careful not to place the design too close to the sleeve side of the jacket. Designs are not to be centered on the left chest. The correct placement is closer to the placket than to the sleeve. The center of a sleeve design should fall three to four inches below the shoulder seam of the sleeve. When placing a design on the sleeve of a raglan style jacket, mark the placement using a live model or a mannequin.
Backings

The complexity of a design will often be the major factor when choosing a backing for embroidery. Stitch intensive designs may need the extra stability backing provides. Even jackets made of fabrics such as poplin and satin (that might not otherwise cry out for a backing) can benefit from its use, especially if the design is complex. Consider attaching the backing to the jacket with spray adhesive before hooping to increase stability. Attaching a piece of light cut-away backing-or even rear-away-to a satin jacket can hold the jacket better while stitching, allowing for good registration in your design. And, if you should need to remove stitching, the presence of a backing can make your job easier and safer. Backing can also prevent residue from coated canvas fabrics from raining down into the bobbin housing.

Most jacket materials do not require topping. The exception to this might be the corduroy or fleece jacket where the use of a topping can tame the fluff of the fleece and prevent stitches from falling into the valleys of the corduroy. The use of underlay does a better job than topping for challenging fabrics-and as an added benefit, it does not wash away.

Hooping technique

When hooping, especially large or bulky items, start from the “fixed” side of the thumbscrew and travel around the hoop to the “free end.” Use the heels of your hands to alleviate stress on your fingers and wrists. When hooping flat on a table, make sure that there is nothing between the hoop and the table. If any adjustment is needed, hold as much of the upper hoop in place as you can while adjusting. This prevents the garment from popping out of the hoop.

Always make sure the jacket lining is smooth, and double check to determine that the outer shell and the lining are even. Turning the sleeves inside out can help with hooping a lined jacket.

Hooping too loosely can cause puckering, too tightly can cause fabric burn. It can also stretch the fabric causing it to “spring back” when unhooped, meaning more puckering. Tips to prevent puckering include lightening the tension upper and lower, using tear-away if lettering is fill, using mid-weight cutaway if lettering or design is satin stitch. Adjust the hoops before hooping the garment and do not pull or stretch the fabric after it is hooped. Puckering is a risk when stitching on satin, and the lighter the weight of the satin, the more the danger of puckers. You will have the best results when the hold is firm. If you can move the satin around in the hoop, it will move while stitching.

A light pressing or steaming of the area to be embroidered can improve results and ensure that lining and jacket are lined up correctly. While you are checking to make sure your bobbins are full, it is a good idea to check that no part of the jacket is doubled up under the hoop. And please make sure you are not sewing pockets shut, especially inner ones.

Hooping the jacket upside-down and reversing the design is a good way to keep the bulk of the jacket away from the needles. Make sure the arms of the jacket are out of the way of any stitching before you begin. Use clothespins, bulldog clips, quilting clips or even large hair clips. Make sure that you support the weight of the jacket during embroidery to prevent the fabric from slipping out of the hoop, and to help ensure good registration. Embroidering jackets on the tabletop instead of in the tubular mode can help prevent the weight of the jacket from hampering the job. Check also to make sure the material is flat against the throat plate. If you can push down the fabric, the presser foot will too, and this can cause flagging. Flagging can cause stitching problems and poor registration.